We learned from "Cars" that Lasseter loves automobiles, and here we learn that they can serve him as avatars in an international racing-and-spying thriller as wacky as a Bond picture crossed with Daffy Duck. I believe in some sense, the great animator was sitting Indian-style on the floor of his Pixar playroom and hurtling his cars through time and space with sublime reckless delight. I think it was inspired by the spirit of John Lasseter's movie. Maybe my hands were swooping around with toys, but my imagination was somewhere else, and I performed the dialogue for the cars: Oh, yeah? Take that! We'll see! Eeeeyowww! They were as real as people, and I played favorites and identified one car as my surrogate.
In this memory, I was completely engrossed with my cars.
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